
This past school year, I showed my classes selected bits and pieces of the 1998 NBC TV miniseries The Odyssey.

As a tool for illustrating difficult sections of the epic poem, the movie has its' strong points (the Calypso scenes are pretty good, and also was hilariously clear that most of my male students want to bone Vanessa Williams) and it's unbelievably weak points (wooden acting all around, awkward CGI that hasn't aged well) but I remember enjoying the spectacle of the thing when it first aired.
It got me thinking... what happened to the high concept TV miniseries? When I was growing up, there were plenty of 'em... both new and in reruns. These days, not so much.
I remember loving it when our cable provider finally hooked us up with the SciFi Channel and I was able to watch the Nazis-as-aliens run amok series V on four consecutive nights. Ditto The Day After, a blearily depressing take on nuclear holocaust in America. There were other series that ran on a similar theme- I've heard mixed things about Amerika, a "What if the Russians won the Cold War" series whose concept really sparked my imagination.
For a number of years in my teens, ABC was committed to making quality high concept mini-series, usually opting to adapt Stephen King novels for the small screen with mixed results. When those King minis were good, the were stupendous. I'm an unerring fan of their adaptation of King's gigantic good-vs.-evil opus The Stand. Even if it was less satisfying for those who loved the novel, ABC's version if IT has fans even today- my students referenced Pennywise as one of the scariest modern day monsters during an earlier lesson on the monsters of Greek myth.
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For a TV movie that was made almost twenty years ago, and when you consider the budgetary restraints a production like that was under... for jaded teenagers who have "seen it all" when it comes to horror movies to even remember Pennywise is a big thing.
It must be said however, that for every good King mini-series, there was something like The Langoliers, a strange melange of time travel and bad CGI monsters that looked a lot like Pac-Man. Also, the mystifyingly boring remake of The Shining was pretty self-indulgent and languid. Still, more of the King minis were good than bad, and that's something.
NBC too was in the game, albeit with taking a "classier" route with adaptations of classic literature with the best special effects of the time. NBC's version of Gulliver's Travels with Ted Danson was decently accurate, if I remember correctly. At the very least, they addressed more of the various destinations that Lemuiel Gulliver encountered than most adaptations usually do. I also enjoyed their version of Merlin (starring Sam Neill) so much that I bought a DVD of it in college... although, admittedly, I found it in one of those giant bargain bins full of DVDs at my college's local Wal-Mart.
I suppose the day of the network television miniseries has seen its end, at least in a way that even attempts to cater to my interests as a viewer. ABC and NBC have had "world in peril" meteor mini-series on this summer, but they weren't appointment television, by any means. The major networks have seemingly ceded the genre to cable and pay television, and I've enjoyed a bunch of those (HBO's John Adams absolutely floored Ellen and I last summer) they don't have the same feel as some of the series I listed above. It's a pity in that when network TV got it right with a TV miniseries, they became a phenomenon.
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